Generative AI’s Impact on Art

The revolutionary field of Generative AI is growing every day, but do we know what impacts it has on specific topics such as Art?

What exactly is Generative AI? According to ScienceDirect, Generative AI, also known as Generative Artificial Intelligence, describes machine learning solutions that are trained from data to produce an output based on user prompts. Generative AI has caused an uproar in our society, as this technology has ethical and political concerns. Generative AI comes with models that have been trained on data, otherwise known as a Large Language Models(LLMs). Examples of LLMs include Chatgpt, Google’s Bard, and Dall-E.

How do artists use Generative AI in Art? There are many applications that artists use for their work. Applications such as Adobe and Dall-E have built-in AI systems that assist the user in generating a picture based on their input. In ScienceOrg, we learned that Generative AI relies on training data, and this data generates art by extracting statistical patterns from existing artistic media. However, artists or computer scientists can also create generative art through code and mathematics. Software applications such as Processing, is a quick download away for you to create art of your own.

Is Generative AI in art ethical? Generative Art has created a new movement in the field of Art. However, there have been disrupting issues with this technology. According to ScienceOrg, using Generative Art can cause concerns about authorship issues, as the AI will use data based on other artists to generate its art. This raises a legal question on Copyright Law that would be hard to answer unless you conduct an in-depth study on the Social Science of this topic.

Famous Generative AI artist, Manfred Mohr. Based on his website: emohr, is a pioneer of digital art based on algorithms. After learning from a philosopher named Prof. Max Bense, Mohr changed his style of art to computer-generated algorithmic geometry. Since then Mohr’s art has been done through the computer, as a majority of his art is based on using multidimensional hypercubes that create 2-D semiotic graphic constructs.